A sheddie poem at Christmas

Down the garden and over the lawn
Pop wonders off each day
Unlocks his shed and opens the door…

POP’S SHED
By Robin Shepard



Down the garden and over the lawn

Pop wonders off each day

Unlocks his shed and opens the door

And breathes deep as if to say

‘I’m safe down here  I’m safe in the shed

No chores to do like “Make your bed.”

No ring on the phone

I’ll be left well alone

While I’m fiddling around in the shed.’


So it’s

Down the garden and over the lawn

Pop escapes from the house most days

And it’s in the shed he scratches his head

As life enters a sheddies phase

On the workbench

There’s some rivets to clench

And a nut to fix to a bolt

With a nine sixteenth socket

He took from his pocket

He locks it up tight with a jolt.

And there’s a board to plane

Then sand and stain

Then wax and polish again and again

And taking a file

He will pause for a while

While he contemplates what to do next

Shall he dress  the cracked  tile

Or throw it out on the pile

With the failures that leave him quite vexed?

 
Down the garden and over the lawn

Pop escapes to his shed most days

There he sketches his plans

With ideas simple or grand

As his mind wonders off in a haze

While he plans his next task

Don’t confuse him and ask

What exactly he’s planning to do

‘Cos it might all depend

What he finds in the end

In the supply stacks where nothing is new.

 
So it’s

Down the garden and over the lawn

To spend all day in his shed

Making things new and sometimes instead

He’ll be mending the broken and torn

It was down in the shed his finger bled

When he cut it off with the saw

It was in the shed that my dear old Pop said

He picked his finger up off the floor.

And now his hand’s short

Of the finger that caught

In the blade of the circular saw

For it failed to join back

When nailed on with a tack

So that finger’s no more on his paw.

 

One day down in the shed

He might be found dead

Dead with a smile on his face

‘Cos Pop’s always said

“To my shed, I am wed

It is really my favourite place.”.

 

 

 

 

 

 

Share:

More Posts

Soldering tips part 2: Getting the job done

We touched on some simple de-soldering methods in part one of this two-part series.
Just like other workshop tools, there is more than one way to achieve it and with less damage and frustration.
De-soldering involves removing the solder from the joint to either release the component or repair the solder joint. The aim is to do this with minimal damage to either part, but since you can generally replace the component, protecting the PCB is paramount.
SMT (Surface Mount Technology) is a whole other subject, and because of the design and density of the components, different tools are required.
De-solder or rework stations consist of a box controlling a heated tip and a vacuum pump. There are many manufacturers, but I’m only going to discuss some of the ones I’ve had experience with.
While the control box may have shrunk, there is a limit to reducing the handset. The handset consists of a tube to collect the solder and filters to absorb the flux residue. The tips are hollow and reach right through into the collection tube.

A movable bench with fold-away legs

Before I down-sized my workshop, I had a garage workshop area and plenty of room to have the traditional type of sawhorses or saw stools. Now I have just half of a double-garage which means the stools have to be stored out the back in all weathers.
I was looking at a sheet of 16 mm ply that was 1200 mm square and could see it would make two stools that would fold away flat and could be stored inside. They wouldn’t take up space standing permanently in the garage/workshop and they would need very little room folded away.

Waka building – Tradition goes hi-tech

Architect, designer, sailor. Add lateral thinker, enthusiast and passionate Kiwi to the mix and you have the CV of a Christchurch man who has made it his mission to put Maori waka back on the water by marrying traditional knowledge with today’s technology.
Quentin Roake’s goal is to find a way to build waka in numbers, recreating the appearance and characteristics of traditional craft in a modern version that is portable, durable, and economical to manufacture.
“The big question is, how do you translate the traditional form of canoe into modern materials? You can’t cut down a big totara tree every time you want to make a canoe,” he says.
Quentin’s quest for a solution involved consultation with tohunga waka (canoe experts), including Hoturoa Barclay-Kerr and Sir Hekenukumaingaiwi (Hector) Busby, and led to Nga Waka Tangata kaupapa, a collaborative project to develop contemporary forms of waka.