The November/December 2019 Issue 87 of The Shed, has a real electronics feel about it but there is also a lot here to keep all sheddies informed, entertained and well-skilled up. Our cover story is about the goal of a Christchurch boat builder, architect, designer, sailor, Quentin Roake, to find a way to build waka in large numbers. He wants to recreate the appearance and characteristics of traditional craft in a modern version that is portable, durable, and economical to manufacture. Quentin has made it his mission to put Maori waka back on the water by marrying traditional knowledge with today’s technology
On Saturday, 24 August 2019, the Christchurch Woodturners Association (CWA) finally saw its long-term dream come to fruition with the opening of its very own clubrooms on the Auburn Ave Reserve in Upper Riccarton.
This piece was originally designed as a bit of fun: a simple carcase construction with a handle detail that would provide me with a challenge while satisfying my passion for curvy, organic forms. I made the original version in maple with a bloodwood veneer. The contrast in timber and the handle detail made for a striking piece and I was commissioned to make another in cherry with birdseye maple veneer.
An aspiring woodcarver who builds on a solid foundation of knowledge and technique will soon be creating impressive carvings. To demonstrate basic knowledge and techniques, we are going to follow the carving of a Tudor rose.
In the October/ November Issue 86 of The Shed, we first head to Whanganui to meet blacksmith Josh Timmins. Josh has his own way of making knives and axes and shows us how to make a Viking Knife starting with a piece of new steel right through to the finished product. Then we head to…
The best timber for this kind of bowl is any fruit tree, the ﬂowering cherry tree, olive tree or any tree with not too thick bark. Pohutukawa is a good wood, but the bark is fragile. The secret to capturing this natural-edged look is to turn the bowl from a piece of timber that has not yet totally dried out.
Australia’s Lucas Mill celebrated its 25th year in the business of making portable sawmills. More than 18,500 Lucas Mill portable sawmills have been sold into more than 100 different countries, and the company says its first portable swing blade sawmill is still operating.
Making a violin is a complex job involving around 40 pieces of wood of various types and sizes and plenty of patient, skilled woodworking. In Part One we chose the best maple for the back and spruce for the belly, shaped these plates and created the rib structure. Now it’s time to ﬁnish the construction.
When I decided to make a violin to take to a conference in America, I chose a beautiful example by Guarneri “del Gesu”—the “King” violin made in 1735—as a model. Given the signiﬁcance of the violins by the great makers, there is a respected tradition of making copies or instruments modelled on their work. I was quite happy for The Shed magazine to follow its progress but as there are books written in great detail about violin-making, this magazine article can only be a summary of what I did and some of the problems I encountered.