From his shed on the Central Plateau in the North Island, Ray Woodhouse creates totally unique pieces that are more than sculpture and more than a lamp. They would be a truly special addition to any space you choose to place them in.
An artist who we featured in Shed 82, only started this type of work when he retired. Ray has a working shed than many sheddies will envy.
From his shed on the Central Plateau in the North Island, Ray Woodhouse creates totally unique pieces that are more than sculpture and more than a lamp. They would be a truly special addition to any space you choose to place them in.
An artist who we featured in Shed 82, only started this type of work when he retired. Ray has a working shed than many sheddies will envy.
There’s a real treat for knife makers in the September/October Issue No. 92 of The Shed.
We head to the Auckland workshop of master knifemaker Brent Sandow to get insights into what makes him such a well-regarded exponent of the art. We watch and learn as he goes through the steps on how he makes a Springbok Hunter knife.
Get ready, secrets are shared.
Brought up in a family of artists, Rudi Buchanan-Strewe has tried to break the mould and, after work experience as a blacksmith, he completed a motorcycle apprenticeship at Classic Cycles in Upper Hutt. A move back to Auckland saw him working for Ken McIntosh on his Manx Nortons before deciding, about eight years ago, to give in to his genes and pursue his love of sculpture.
The Shed magazine is eclectic, informed, and always fascinating. Aimed at those with a few tools and perhaps a few clues: this is the magazine for real sheddies.
Packed with ideas, projects, advice, and peeks into other people’s sheds providing inspiration, ideas, and techniques, or just for the sheer enjoyment of the sheddie’s endless inventiveness, The Shed is the project enthusiast’s bible.
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