In the January/February Issue 76 of The Shed, we decide the best way to enjoy summer is to create some outdoor fires that Sheddies can happily build themselves. Jude builds one for a measly $200 out of Corten steel and we follow the build of a block kitset fireplace that takes less than two days to set up. David Blackwell visits the Melbourne Working with wood show and we meet Des Thomson of Christchurch who endless skill-set sees him build a unique pod for his small campervan. His skills will astound you. Hugh McCarroll hears the call from his wife who needs a rolling stool made for her galley kitchen then we head to Oamaru to meet Alistair Allan who has old chicken sheds chock full of Kiwiana. Andrew Bellringer is an ex-diesel mechanic who now creates stunning art pieces out of steel junk and Coen Smit show us another way to use cast-off materials by using it to create interesting household lamps. Philip King is an Auckland antique furniture restorer and he shares some of his tricks of the trade with us and we visit the shed of Aucklander Simon Dew who restores BSA, Royal Enfield and Moto Guzzi motorbikes – to name but a few. We learn all about the Hallswell Menzshed in Christchurch before Enrico Migliano gives us more 3D printing tips and advice. Ritchie Wilson and Jude Woodside team up to explain all there is to know about universal sockets, sockets and spanner sizes through the ages before Bob Hulme gives us some choice tips on drills and drilling in our metalwork workshop. We close this Christmas and summer issue with Back ‘O’ the shed where Jim Hopkins is pleading with us to have a 2018 of living positively. Now The Shed is all for that!
Waka building – Tradition goes hi-tech
Architect, designer, sailor. Add lateral thinker, enthusiast and passionate Kiwi to the mix and you have the CV of a Christchurch man who has made it his mission to put Maori waka back on the water by marrying traditional knowledge with today’s technology.
Quentin Roake’s goal is to find a way to build waka in numbers, recreating the appearance and characteristics of traditional craft in a modern version that is portable, durable, and economical to manufacture.
“The big question is, how do you translate the traditional form of canoe into modern materials? You can’t cut down a big totara tree every time you want to make a canoe,” he says.
Quentin’s quest for a solution involved consultation with tohunga waka (canoe experts), including Hoturoa Barclay-Kerr and Sir Hekenukumaingaiwi (Hector) Busby, and led to Nga Waka Tangata kaupapa, a collaborative project to develop contemporary forms of waka.
